French Baroque Era Painter, 1593-1652 French painter. He was well known in his lifetime, especially for his depictions of candlelit subjects, then was forgotten until the 20th century, when the identification of works previously misattributed established his reputation as a giant of French painting. His early works were painted in a realistic manner and influenced by the dramatic chiaroscuro of Caravaggio. The paintings of La Tour's maturity are marked by a startling geometric simplification of the human form and by the depiction of interior scenes lit only by the glare of candles or torches. His religious paintings done in this manner have a monumental simplicity and a stillness that expresses both contemplative quiet and wonder. Little is known of his life, and only four or five of his paintings are dated.   Related Paintings of LA TOUR, Georges de :. | The Magdalen with the Nightlighe | The New-born sg | Blindman Playing the Hurdy-Gurdy | Woman Catching Fleas | St Sebastien Attended by St Irene f |
Related Artists:
BEYEREN, Abraham van
Dutch Baroque Era Painter, ca.1620-1690 Dutch painter. He painted seascapes as well as fruit, flower, fish, game and banquet still-lifes. He almost always signed these works with his monogram AVB, but he dated only a few. This, together with the fact that he painted diverse subjects simultaneously and his style changed little, makes it difficult to establish a chronology. He became a master in The Hague in 1640 and was related by marriage to the fish painter Pieter de Putter (before 1600-59). Van Beyeren lived in Delft from 1657 to 1661 and was again in The Hague between 1663 and 1669.
Georg Caspar Prenner
painted The children of Count Vorontsov in 1755
victor pasmore
Edwin John Victor Pasmore (3 December 1908 - 23 January 1998) was a British artist and architect. He pioneered the development of abstract art in Britain in the 1940s and 1950s. Pasmore was born in Chelsham, Surrey. He studied at Harrow but with the death of his father in 1927 he was forced to take an administrative job at the London County Council. He studied painting part-time at the Central School of Art and was associated with the formation of the Euston Road School and the first post-war exhibition of abstract art. After experimenting with abstraction Pasmore worked for a time in a lyrical figurative style, painting views of the Thames from Hammersmith much in the style of Turner and Whistler. Beginning in 1947 he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as 'The most revolutionary event in post-war British art'. Pasmore's abstract Mural for the canteen of a bus depot in Kingston upon Thames 1950Pasmore was a leading figure in the promotion of abstract art and reform of the fine art education system. From 1943-1949 he taught at Camberwell School of Art where one of his students was Terry Frost whom he advised not to bother with the School's formal teaching and to instead study the works in the National Gallery. In 1950 he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. From 1952 he was leader of the art course of Kings College, Durham based in Newcastle upon Tyne. There he developed a general art and design course inspired by the 'basic course' of the Bauhaus that became the model for higher arts education across the UK. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Ernő Goldfinger and Helen Phillips. Pasmore was commissioned to make a mural for the new Newcastle Civic Centre. His interest in the synthesis of art and architecture was given free hand when he was appointed Consulting Director of Architectural Design for Peterlee development corporation in 1955. Pasmore's choices in this area proved controversial; the centerpiece of the town design became an abstract public art structure of his design, the Apollo Pavilion. The structure became the focus for local criticism over the failures of the Development Corporation but Pasmore remained a defender of his work, returning to the town to face critics of the Pavilion at a public meeting in 1982. Pasmore represented Britain at the 1961 Venice Biennale, was participating artist at the documenta II 1959 in Kassel and was a trustee of the Tate Gallery, donating a number of works to the collection. He gave a lecture on J.M.W.Turner as 'first of the moderns' to the Turner Society, of which he was elected a vice president in 1975.